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Title	Belvedere Suite
Article no.	9085013
Category	Concert/wind/brass band
Subcategory	Suite
Instrumentation	Ha (concert/wind band)
Format	PrtStm (full score and parts)
Country of publication	Netherlands (nl)
Publisher *	Molenaar Edition
Publisher's article no. *	MOL 012355080
Series title	Original Compositions Series
Year of publication	1997
Price	click here
Composer	Koenen, Wilhelm
Difficulty level	4
Evaluation level of countries	D4 (German upper level)
Duration	11:51
Additional info/contents	Part One: "Danse méditerranéenne": This part is composed of stylized folk music elements from several regions of Mediterranean countries. Asymmetric elements alternate with more familiar Central-European folk dance tunes. The asymmetric passages should be performed with the necessary "drive". If this music recalls memories of your holidays on the sunny Mediterranean beaches, the composer will have reached his goal. Part Two: "Impression": This part is meant as a contrast with the first and the third parts. The conductor should not stick to the metronome tempo, but he can express his own interpretation by means of "rubato playing". An expressive "piano" passage alternates with a gradually increasing "forte" passage between bar 18 and bar 29. This "impression" was inspired by the Provence landscape. Part Three: "Marche grotesque": We deliberately used non-typical characteristics of the traditional march. The underlying idea is: A band starts playing a march at the ordinary marching tempo. There is already a mistake at measure 4 when some musicians play the wrong bar which causes the fifers to start too early with the drum and fife signals. A grumpy "Stop" brings and end to the false start by means of a pathetic quaver. The drummers however continue to play their drum beats, so the fifers start again and play very quickly in order to catch up with the drummers. They even manage to do so, thanks to that late quaver. The band now also starts to play again and reacts to this chaos by laughter. The march that comes next does not match the metric characteristics of the usual march. Changing metres, from figure 45 onwards, cause the theme of a renowned march (secondary part when repeated) to start a quaver too early. The more familiar theme at measure 69 also starts too late and sounds out of tune, due to inadvertence. The same register seems completely absent-minded at measure 81 - when repeated - and the same happens from measure103 onwards. The woodwinds, dreaming of holidays, get caught in a Tarantella. A compelling signal by the trumpets and the horns, soon joined by all band registers, leads the band back to reality. We deliberately chose well-known "secondary parts"in order to make the audience accept the "out-of-tune-playing". Original themes would not have had the same effect. The whole composition is just one great musical joke. If the audience chuckles the composer will have achieved his aim. The parts can be played separately or in random order, though the third part is extremely well suited to end a concert or be to used as encore. Mind to respect the tempo "92-94" in order to keep the awkward character. I want the bands, conductors and especially the audiences to enjoy this work. The 3rd movement is also suitable as the final number or 'encore' of a concert. Prt PicFlt Flt 1,2 Ob 1,2 Fag 1,2 EsClr Clr 1,2,3 AClr BClr ASax 1,2 TSax BSax Cnt 1,2 Trp 1,2,3,4 Hrn in F 1,2,3,4 Trb in C 1,2,3 Brt in C 1,2 Euph in C Tub in C WltStm: -Hrn in Eb 1,2,3,4 -Trb in Bb 1,2,3 (BC+TC) -Brt in Bb 1,2 (BC+TC) -EsTub (BC+TC) -BTub (BC+TC) KB Hrp Tmp Perc 1,2,3
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Programme notes *: The word "Belvedere" comes from the Italian "bel vedere", which means "beautiful view". In the world of music, the term "Belvedere" manifests itself as an artistic perspective that offers the listener a picturesque soundscape. These musical belvederes rise like vantage points that take the listener on a journey through fascinating sounds. In music, the term "Belvedere" stands for a musical passage that impresses with its beauty and clarity. It could be a melodic climax, a harmonic crescendo, or a particularly haunting solo. These sonic vantage points offer the listener a unique perspective on the musical action, similar to a vantage point that provides a sweeping view of a breathtaking landscape. Composers use the Belvedere concept to set creative highlights in their works. Through skillful harmony, melody and orchestration, they create moments that take the listener to sonic heights defined by beauty and elegance. These musical belvederes serve not only as highlights, but also as emotional peaks that take the listener on an intense sonic journey. In the world of music, "Belvedere" proves to be a fascinating term that captures the artistic perspective and beauty in sound form. These musical vantage points offer listeners not only an aesthetic experience, but also a glimpse into the creative mastery of the composers. When musical belvederes are achieved, a panorama of sonic beauty opens up to the audience, celebrating the emotional depth and richness of musical art. Quelle/Source: musicainfo.net (KI)

	Format
	Belvedere Suite (concert/wind band), full score and parts
	Belvedere Suite (concert/wind band), full score
	New Compositions for Concert Band #21: Tea Break, audio CD

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