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Sheet music/scoresSheet music/scores
Title Luminous silhouette of a Song
Article no. 3196071
Category Educational and/or solo works
Subcategory Clarinet with accompaniment
Instrumentation Clr (Bb clarinet); KamOrch (chamber orchestra)
Format StmSet (Set of parts without score)
Country of publication Switzerland (ch)
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Year of publication 2008
Composer Sharafyan, Vashe
Difficulty level 4
Duration 10:30
Additional info/contents Der Titel 'Luminous Silhouette of a Song' [Leuchtende Silhouette eines Liedes] oder 'Schatten des Klanges' mag wunderlich und widersprüchlich scheinen, beschreibt aber ein sehr realistisches, psychologisches Experiment. Wenn Klänge die wir hören in unseren Körpern widerhallen, nehmen wir Menschen Klangschatten oder Bilder wahr. Diese höchst intimen Wahrnehmungen, in Form von Klangsilhouetten (meine persönliche Terminologie um dieses Phänomen zu beschreiben) widerspiegeln die Einzigartigkeit der Seele eines jeden Menschen, der, nachdem er diese Klänge gehört und darauf reagiert hat, sagen kann, das sogenannte Phänomen 'Musik' erlebt zu haben.
Vashé Sharafyan, Yerevan, 2010

'Silhouette of a song' or 'shadow of the sound' may seem at first glance to be a somewhat whimsical and contradictory title, but  it is meant to describe a very real psychological experience. As human beings, we perceive auditory shadows, or images, when the sounds we hear resonate within our bodies, and those highly personal perceptions, experienced in the form of sonic silhouettes (which is my personal terminology for expressing this concept) is reflective of the uniquely individual nature of the souls of all human beings who, upon hearing and reacting to those sounds, can be said to be experiencing what we call 'music.'
Vashé Sharafyan, Yerevan, 2010

A première vue le titre 'Luminous Silhouette of a Song' [Silhouette lumineuse d'un chant] ou 'ombre du son' semble fantasque et contradictoire, mais en fait il me sert à décrire une expérience psychologique bien réelle. En tant qu'êtres humains, nous percevons des ombres auditives ou des images lorsque les sons que nous entendons résonnent dans nos corps. Ces perceptions intimes, reçues sous la forme de silhouettes sonores (ma terminologie personnelle pour décrire ce phénomène) reflètent la nature individuelle et unique de l'âme de chaque être humain qui, après avoir entendu et réagi à ces sons peut considérer avoir expérimenté ce phénomène nommé 'musique'.
Vashé Sharafyan, Yerevan, 2010
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